*****
Agatha Christie dominated English language crime fiction in the first half of the 20th Century. Her popularity continues beyond another half century since her death in 1976
Murder on the Nile premiered at Dundee Repertory Theatre under the title Hidden Horizon,and later opened at the Ambassadors Theatre in the West End in 1946. It is set on a paddle boat cruising down the Nile, and follows a group of travellers as they try to solve the murder of wealthy newlywed Ray Mostyn. The large cast oozes dramatic possibilities, hence its popularity with amateur theatre. Director Ken Agnew squeezes the most out of every one of those characters.
Malcolm Robertshaw and Emily White have created a convincing single set river cruiser interior, they wisely eschew any reference to the Nile and Egypt itself save for Richard Irons’ incidental atmospheric sound contributions.
Unusually, the play is divided into three parts including two intervals, with the performance running time of 120 minutes augmented by two fifteen minute intervals. The production benefits from sumptuous Georgian costuming, which enable the women to dazzle visually, Alex Hunter carries Louises’ emerald green satin gown in some style.
Miss FFoliot-FFoulkes and her niece Christina Grant (portrayed by Kerry Prosser and Amy White respectively) are a perfectly matched duo as overbearing aunt and naive yet sweet companion. Prosser revels as a wondrously judgemental and pompous elitist, she has lots of fun with the part as we do watching her. Sean Mulkeen as Dr. Bessner, has to work hard turning from amicable passenger, to a dedicated doctor with a German accent stolen from “Allo Allo”. Ron Parker has similar fun with his French accent as the Bar Steward.
Robyn Klein- Christoffels has the most demanding acting role as Jacqueline De Severac. She veers through drunkenness, depression, suicide and homicide with considerable skill. She has her own double act with Paul Merrell as Simon Mostyn , both bring a pleasingly duplicitous veneer to proceedings
Isobel Clinton thrives as the elegant and affluent Kay, exuding mystery and allure. Nathan Mcnaught as Smith, is another who enjoys himself, Prince or Pauper? Who knows?
Ken Agnew adroitly balances the dramatic ingredients of thriller, comedy, drama, and suspense. There is a formula, one which Chistie established, the audience expects, and the cast are expected to deliver. All are present and correct here.
The final revealing monologue was delivered impeccably by Alan Groucott as Canon Pennefather, a riveting denouement that kept the audience engrossed right up to the reveal. Sadly I am unable to divulge much of the detail as I do not wish to spoil it for you when you go to see it- which you must.
Murder on the Nile runs until Saturday 31st October , 2026.
