Midlands Poetry Choice – October 2015

For several years I produced a monthly poetry listing for the Midlands. It started out as a dozen or so events, then ballooned into upwards of two hundred in festival season, all with organisers, venue and admission details, and times, all of which also were subject to change! It became an unmanageable beast, so I let it go.

However I have been flattered by the number of people who still nag at me to resurrect it. So, I have decided to reboot the idea, but this time confining it to events that have caught my eye, instead of trying to offer a comprehensive coverage. This has the benefit of making it shorter, more accurate, and more reflective of the best.
The following offers a guide to what remains of October, and some advance notice of what lies beyond:

Friday 16th October, Christine Whittemore, poet and author, is launching her award-winning, first novel ‘Inscription’ at The Suffolk Anthology, Cheltenham, from 7pm. ‘Inscription’ tells the intertwining stories of two women living two thousand years apart, and it has won the Eludia Award in USA.
It would be helpful for the bookshop to have an idea of numbers, but don’t let that stop you turning up on impulse!

Oct 20th, Ashmole room, Guildhall, Lichfield, 7.45pm Ben Macnair workshop on the poetry of the macabre. Lichfield Poets Meet

Tue 20th Oct, 10.30am-12noon, Staveley Library, Poetry and Song with Sally Goldsmith.Tea and cake. All welcome. FREE event. For more information and to book a place ring Staveley Library on 01246 472448.

Wed 21st Oct, 7.30-8.45pm, Made in Derbyshire: Derbyshire Poets Laureate at Buxton Library. A unique opportunity to hear laureates Helen Mort, Matt Black, River Wolton and Cathy Grindrod reading their poems. This event will include readings from a new posthumous collection of poems by Ann Atkinson, Derbyshire Poet Laureate 2009-11. FREE event. For more information and to book a place ring Buxton Library on 01629 533460.

Thursday 22nd October, Anna Saunders is launching her new collection ‘Kissing the She Bear’ – a new title from Wild Conversations Press. 7pm at Copa, Cheltenham
Entrance to the event is free and all guests will be offered a glass of wine and truffles. The event also includes an open mic section. Please come and share your work inspired by fantasy and myth.

Friday 23rd October, Ross Cogan’s verse play for voices ‘In Agincourt Field’ will be performed at The Playhouse, Cheltenham7.30 pm. tickets £6

Tues Oct 27th Buxton Word Wizard Poetry Slams at The Buckingham Hotel, Buxton, 7:30pm on the last Tuesday of every month. Entry is £2.50. More info – Rob at poetryslamUK@aol.com

Tuesday, October 27, Purple Penumbra,at 7:30pm – 10:30pm,The Barlow Theatre
B69 4 Oldbury, Sandwell, United Kingdom

Wed 29th Oct “42″ Open Mic Night (Gothic, Horror, Sci-Fi & Fantasy) Lunar Bar, New St Worcester, 7.30, Free in:Glen James hosts.last wed monthly E-mail: 42openmicnight@42genrearts.co.​uk

Nov 3rd Ashmole room, Guildhall, Lichfield, 7.45pm , PAUL FRANCIS – READINGS + EXERCISES BASED ON HIS BOOK ”WRITING FOR BLOCKHEADS” WITH EMPHASIS ON THE ”WRITING BETTER POEMS” SECTION. Lichfield Poets Meet

Nov 5th Rosie Shepherd, Shrewsbury. Milk St. 7.30pm

Friday 6 November – 6pm to 8.30pm – attend the festival opening reception to celebrate Templar’s 10th birthday. This will include 2 short readings of new work by Paul Maddern and Jane Weir. There may be an opportunity for a short reading from A Place of Wonder too. (Alison to arrange for stanza name badges and supply Alex with a list of Derbyshire tourism and literature local authority contacts to invite to promote A Place of Wonder to). Let Alison Riley know if you are coming along to this reception.

Saturday 7 November – Meet at 1pm in the Archive Room to finalise the performance and seating arrangements. Our reading is 2pm to 3pm. (Alison to make reserved for reader notices so we can sit together).

Please let Alison know if you are attending this and which poem you are intending to read and how long it takes for you to introduce it and read it out.
Sunday 8 November – We are reading again at 12 noon, in the Archive Room, in a session with poets reading their poems from the festival workshops.

Tue 10 Nov – Writers in the Bath, Sheffield. Readers: Cora Greenhill, Linda Goulden, Barbara Jagger, Alison Riley, Nick Read. The Bath Hotel, 66 Victoria Street, Sheffield S3 7QL. 7.30pm start. £4 on door. Please let Cora Greenhill know if you are attending this cora@thirteenthmoon.co.uk

Derbyshire Stanza 2015/2016 meeting dates (second Sundays):

December 13 Sunday – Holbrook (famous for framed knitting) venue to be confirmed.

January 10, February 14, March 13, April 10, May 8, June 12, July 17 (third Sunday), August 14, September 11, October 9, November ? DPF, December 11.

Wed Nov 4th Spire Writes at the White Swan, Chesterfield First Wednesday of the month, open mic slots, (opposite The Crooked Spire), 7.45pm. For more details visit the Spire Writes Facebook page.

Nov 10th Writers in the Bath, Sheffield Second Tuesday of the month, readers and open mic, The Bath Hotel, 66 Victoria Street, Sheffield S3 7QL. 7.30pm start. £4 on door. cora@thirteenthmoon.co.uk

Wednesday, November 11, Deb Alma Launch,at 7:30pm – 9:30pm,Wenlock Pottery
TF13 6HT, Old Chapel House, Sheinton St, Much Wenlock TF13 6HT Telford,Wenlock Books, Deborah Alma and other poets, will be celebrating the publications of Deb’s 2 new books, with readings from ‘The Emergency Poet, an anti-stress anthology’ and from her own poetry collection ‘True Tales of the Countryside’. At cosy Wenlock Pottery, with its roaring fire and well-stocked bar…

Nov 17th Ashmole room, Guildhall, Lichfield, 7.45pm EXPLORING NEW WORK BROUGHT ALONG BY MEMBERS Lichfield Poets Meet

20th November Burton Spoken Worlds, Old Cottage Tavern, Byrkley St, Burton

Sunday 22nd November from 2-4pm I’ll be hosting an Open Poetry Reading at the new café in Walsall Arboretum. This intended to be the launch of an ongoing programme of such events to happen during 2016. Some of these events will feature Guest and Special Guest readers and some, like this, will be Open Poetry Readings,.

The Open Poetry reading is the chance for anyone who writes poetry to come and share their work with fellow poets and with the public. It will be an informal, friendly affair, with as much emphasis on good conversation and socialising as on the writing. It will be a chance for experienced and less experienced poets to listen to and share each others’ work, ideas, and enthusiasm for poetry. And it will all take place in the up-market, brand-news café in the midst of the beauty that is Walsall Arboretum. The food and drink at the café is quite exceptional too!

The event on 22nd November will start promptly at 2pm, and each poet will have up to a maximum of five minutes reading time. Readings will be in short blocks to allow for plenty conversation, comment and socialising.

As I say, anyone who write poetry is welcome to come along and read. All I ask is that you let me know via this email address if you intend to come, so that I have an idea of numbers.

I do hope that, if you’re free, you’ll be able to come and support this new venture. And please do share this email with other poets that you know and urge them to come too.

Finally, I’ll be in touch fairly soon with news of the first Guest Readers Poetry Event which will be taking place in mid-January.

Thank you and very best wishes

David

Writer in Residence, Caldmore Community Garden

http://regionalvoicetheatre.com/

http://naturalhistoriesblog.com

http://davidcalcutt.com/about/

Dec 1st Poetry Alight, Kings Head, Lichfield , 7.30pm POETRY ALIGHT. GUESTS – NEW STAFFS YOUNG POET LAUREATE + SEAN COLETTI + JO BELL.

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Andy Fairweather Low and the Low Riders – Burton, Brewhouse, 11/10/15

Burton awaits

Burton awaits


I first encountered Andy Fairweather Low when I was ten, watching top of the pops, and singing along to “If Paradise is Half as Nice”. Forty seven years later I managed to see him live for the first time.
Andy cutting loose

Andy cutting loose

AFL broke at the apogee of pop, the late sixties, when the cultural winds coalesced to create the perfect storm of musical talent. Music is no better, or worse, than it was then, the landscape within which it operates now though is unrecognisable.

Pop music was focussed on three things. Radio 1 , Top of the Pops, and live venues at affordable prices. Radio 1 was listened to by every teenager, the bastard love child of pirate radio and radio Luxembourg who had latched onto the emerging phenomena as interest and ratings for pop music exploded. The Light station was never going to be enough. The Sunday countdown to discover the new number one was nothing short of essential listening, with a microphone from your reel to reel tape player, or later your cassette, placed next to the radio so you could record it.

Top of the Pops was watched weekly by all teenagers , once again it was essential viewing, and the only topic of conversation on the way to school on the Friday morning. What records you bought on Saturday morning at your local Boots or Harlequin were determined by what you heard on the Radio 1 playlist or who had appeared on Top of the Pops. Combine that with basic four track, then eight track recording facilities for musicians which needed simple songs, and you had a discipline and framework which all artists need. Leap over to America where commercial radio ruled, and the demand was for three minute songs, and the alchemy was complete for a new form that in the late sixties was barely ten years old, replete with potential and possibility.

AFL with Amen Corner was a perfect fit for the era. His songs’ melodies were catchy, the lyrics wry and memorable, and his good looks and long hair made him adored by the girls. His big hit, which endures to this day, was “If Paradise is Half as Nice”. Using the bold device of starting with the chorus, it captures a simple idea and musical motif and bleeds it dry, wrenching everything out .Of course he played it tonight, and finished with it, still with brass, but with an elegiac tinge to it – we are all a little closer to paradise than we were 48 years ago!

Looking fit and dapper, but with less hair, Andy was keen to impress that the night was about the band, the Low Riders, with which he was merely the singer. The Low Riders’ credentials are impressive. Paul Beavis on drums, Dave Bronze, bass and vocals, and Nick Pentelow on Sax have played with a panoramic pantheon of rock, pop and blues artistes, Andy himself regularly rubbing shoulders with Clapton, Roger Waters, Daltrey and Dylan. And what struck me immediately was that they were playing because they like it, and wanted to share their music, not because they needed another payday ( which I suspect was modest).

Of course things have moved on since when I saw my first gig 39 years ago. At the interval Jane and I settled for a tea, rather than four pints, and the rush towards the stage as the set drew to a close was not one of crazed fans seeking to fling themselves onstage, just of those needing the toilet.

The set list was accessible, impossibly eclectic, embracing many diverse styles and genres, and a delight. Of course we enjoyed all the Amen Corner hits, faithfully played, not carelessly thrown away . “Wide Eyed” was delivered hymn like, reflective, as though a grandfather was recounting his misspent youth, with a smile. A surprise inclusion “because we can” was Dave Barber’s “Petite Fleur” from 1959 which showcased Pentelow’s sublime woodwind talents. A playful romp towards the end of standards like Route 66 and Apache was lapped up by an adoring, appreciative audience.

A wonderful show, majestically played which combined musicianship of the highest order with heart and humility. What a night!

Andy now

Andy now


Andy then

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Hound of the Baskervilles – Coming to the Lichfield Garrick on Friday 17th/Sat 18th October 2015

Hound 2

The latest production from the Fired Up Theatre company, who have produced a string of recent successes including productions of The Wall, Quadrophenia ,and The Fell Walker ,is Hound of the Baskervilles. Deep in darkest Dartmoor, stands Baskerville Hall, a grisly ‘Usher-esque’ house of secrets and spooky goings-on with a cellar full of mayhem and murder and outside, beyond its grounds, the village of Grimpon, encounters eerie, cacophonic howling, repeatedly filling the Devonshire night air. Can the World’s greatest detective Mr Sherlock Holmes unravel the clues to a series of satanic deaths?

Join Holmes, Dr Watson, and Mrs Hudson gather at Baskerville Hall as the events unfold. Fired Up Theatre, the Staffordshire based risk taking ensemble, return to the Lichfield Garrick Studio with two nights of theatre for Sherlock Holmes aficionados. This new script written by Mal Dewhirst and Simon Quinn, will include shadow theatre, projections and original music to complement the live action.

I caught up with co -writer Mal Dewhirst for an exclusive insight into the production:

Q. This seems a departure from previous productions, what drew you to this story?

I would like to think that all Fired Up Theatre’s productions are a departure to what we have done before. I guess with this production, the fact that it is a well-known story that has been covered before especially in the medium of film, drew my fellow writer and director, Simon Quinn, to try and do something different with the story but at the same time being true to Conan Doyle’s original intent.

Q. What appeals to you about the original author, Sir Arthur Conan Doyle?

Firstly his characters, they have a rich depth that often is only hinted and therefore allows us to explore those depths in our own interpretation. Secondly his plots, often riddled with miss-direction but delivered in plain sight, that whilst Holmes unravels and reveals the motives, they are there for the reader to piece together.

Q. The story was originally written in serialised form in London magazine The Strand, how difficult was it to bring it to the stage?

How do you deliver the Hound to the stage without having a violent rabid dog live on stage? We chose to use shadow theatre, which filmed and will show as projections. Some of these are delivered as tongue in cheek representations which have some elements of humour within them. Shadow theatre is a new departure for us and to a certain extent an experiment, from which we learnt a lot that we can improve upon in the future.

Q. Originally written in 1902, over a century ago, what is the enduring appeal of the story? How well has it survived the past century?

It has survived the past century really well, partly because of the many filmed versions that keep it in the consciousness of audiences.

This is mainly due to the great detective Sherlock Holmes, he is one of Britain’s endearing detectives, a genius character that is often brusque and aloof but also with his own flaws, an odd sort of hero but a hero never-the-less. Characters such as Jonathan Creek and Doc Martin have the same sort of traits.

The plots of the Hound of the Baskervilles are still valid today, they do not use technology or beliefs that would age it, delivering it as 21st century piece would build on what was already written, it therefore provides for a wonderful canvas for a new production.

Can I just add that our version is set in the age of the book, late Victorian/Edwardian.

Q. In 1999, it was listed as the top Holmes novel, why do you think that was?

It is the prefect Sherlock Holmes story, it has the elements of myth and legend, the suggestion of the supernatural which engages the reader with a murder mystery involving a devilish hound that takes place in a dark unforgiving landscape, it takes Holmes and Watson out of their beloved Baker St home to mix with an odd collection of characters, all of whom are a potential suspect, all who have some sadness and mirth.

Q. The original book has five plots, how have you managed to condense that for stage?

There are still five plots but at least one has been changed, not just to help with the staging but also to fit with other aspects of the characters that have also been changed. Simon and I like to add our own mark on our productions, there seems no point in just repeating what has been done before.

Besides at least one of the films changed the same plot point from the book, we have created our own new plot for this point, but our plot theme does have a slight link to a Conan Doyle short story of 1891.

I will say no more.

Q. There have been numerous film and television adaptations. Have any particularly inspired this adaptation?

Simon and I have watched numerous filmed versions over the past few months, but we are always drawn back to the version with Basil Rathbone and Nigel Bruce as Holmes and Watson, an absolutely wonderful film, I like to think that we have captured the spirit of this film in our production.

Q. Traditionally your acting talent has been community based, where is the cast for this production drawn from? Are there any new faces?

Fired Up Theatre remains committed to taking the best from the acting talent in the community and providing opportunities for them to develop as actors into their full potential, to the point where they can consider moving on to bigger stages if they so wish. We have an excellent cast most of which have appeared in our productions such as “At the Crossroads” and The Fell Walker.

We also work with professional actors and performing arts students, integrating them into the company.

This productions sees us working with Michael Lieber, an excellent stage professional, who mainly works in London. We are also working with excellent local professional actor Anthony Webster, whose previous stage performances have been countrywide, we first worked with Anthony in “At the Crossroads”, when he appeared in filmed role.

We also have two students from Staffordshire University Performing Arts, with Zara Lane and Lee Fisher. The University students also supported the production through the shadow theatre, which was filmed in the colleges TV studio.

Q. Co-writing a play seems fraught with conflict. How have co-writer Simon Quinn and yourself divided the process? Are you still talking?!

I must admit I have struggled to work in collaboration in the past.However since Simon and I first collaborated on The Wall, we have developed a reputation for risk taking, we have always worked very well together, we have very similar methods of working and easily spark ideas off each other.

We have built up a trust in each other and are excited by the opportunity to experiment and devise new productions. Simon is an excellent writer, I just wish I could act half as well as he can.

Q. Do you have plans to tackle any other stories from Sir Arthur Conan Doyle? What plans do you have for your next production?

We have no plans to tackle any of the other Conan Doyle stories, but never say never, however we are talking to a venue about performing the Hound of the Baskervilles as an outdoor production next year.

We also continue to tour with our production of The Fell Walker, our next performance is at the Heron Theatre in Beetham, Cumbria in December, with further performances in Cumbria under discussion for next spring.

We are also in discussion regarding a new production for the Garrick Studio next May, which will be a very hard hitting contemporary play where we journey into a world of oppression, physical abuse, fear, faith, hope and love.

The Hound of the Baskervilles plays at the Lichfield Garrick Studio on 16th /17th October 2015, with tickets priced at £15 (£10 students). Tickets for the Saturday are almost sold out, pre-booking recommended and available from the website:

http://www.fireduptheatre.co.uk/

hound

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Jodi Ann Bickley, Level Up, Birmingham Rep

Jodi Ann Bickley- author and poet

Jodi Ann Bickley- author and poet

Level Up, Season Four, Episode One- Birmingham Rep
****

Some eight years ago I stumbled into the Old Crown at Digbeth on a January evening to take part in a poetry slam. The usual suspects were there, the usual topics were there. From amidst the fourteen or so performers, towards the end, a slight young female student, hesitantly took her turn – and blew everyone away. One of the great things about poetry events is their sociability. Everyone talks freely to everyone else, it is an inclusive community. We started chatting. She was a Brummie girl, a student. She was nervous and self- effacing. She also came alive on stage. Her poetry was personal, she told of relationships, home and heart break. The things which many young women might write of. But she was different. She had this ability to draw you in, to connect. The girls “got” her, the boys fancied her, and the mums and dads wanted to be her mum or dad. She had an Everyman appeal. Her name was Jodi Ann Bickley.

In the intervening years I have seen her perform several times, each time, impossibly, improving on the last. I originally described her thus: “Her writing is fey, kitchen sink, heartfelt and vulnerable, capturing the angst of young adulthood. She transcends her immediate peers, and reaches out to those who were young once also.” And she has lived a lot of life in those years since I first met her.

In 2011 she contracted encephalitis, and further complications, from a tick bite that left her unable to walk, write or talk. In 2014 she was in the Sunday Times bestseller lists, and on national television radio and newspapers as the author of the hugely successful “One Million Lovely Letters”- having regained her speech and mobility. Her poetry had also seen her hanging out with Ed Sheeran and collaborating with dubstep heavyweight Skream. Oh, and she is now soon to be a mother. What an excellent choice to open season four of Level Up.

Level Up prides itself on promoting the best of young British talent, a vehicle supported by national poetry organisers Apples and Snakes and local hipsters Beatfreeks. The past three seasons have seen the likes of Matt Windle, Dreadlock Alien and Hollie McNish in the spotlight, this season’s roster looks no less impressive.

Season 3 was hosted by the assured and urban(e) Laura Deadicoat, lean, and with a sharp stage presence, she is a tough act to follow. But followed she must be, and she generously handed over to her successor for Level Up Season 4 to 17 years old acting student, Lauren Williams. Lauren was 9th Young Birmingham Poet Laureate, 2013-2014. Bubbly, giggling and with an impish, waspish sense of fun, she has taken a pivotal role in the booking of artists She works alongside Prime Poetry, comprising Callum and Melissa Bates, siblings who will be facilitating a series of free workshops throughout Birmingham to accompany the main shows.

Caleb Femi

Caleb Femi

Supporting artist was Caleb Femi, a Nigerian born Londoner, a teacher and poet, whose poem and film “ Children of the Narm” draws on the experiences of the underclass in the capital’s suburb Peckham, the Peckham of Damiola Taylor, not Only Fools and Horses ,whose recurring theme is consanguinity. By chance we found ourselves seated next to each other. His life story is inspiring enough, emerging from the feral poverty of an urban sink council estate to go to win a place at Queen Mary University and go on to teach English at a secondary school. However as he started to perform his further qualities as a communicator and wordsmith emerged. There was no hectoring defiant angry diatribe, instead gently cushioned observations with ten ton weights, epitomised by the popularly titled “Children of the Narm”( he doesn’t give titles to his own writing). I was deeply frustrated by the brief time he was allowed on stage, but however long he had been given would not have been enough for me. But I found consanguinity in his work- and I suspect that would have been enough for him. Watch out for this man.

Headliner Jodi Ann ambled on stage from her place in the audience oblivious to the stardust on her shoulders. She touched on a Radio 1 commission, and was ridiculously modest about the success of “One Million Lovely Letters” which currently boasts a team of twenty four, dealing with a backlog of 13,000 letter requests. “Hold Tight” was as good as ever ,”(Bob) Marley and Me” as heart-warming. Her line “tears are scars that remind us we fought hard” an aural by-line for her performance which ended with an improbable exhortation for everyone to “get pregnant!” Only British decency prevented an orgy.

The open mic slots were as eclectic as ever. Oakley Flanagan evoked the spirit of ancient Greece to declare “You are the Gods tonight”, Flora started off with cruelty to cats and hamsters but ended bemoaning an “unprotected heart”, Lorna Meehan added class and style with her “dancing”.

Beatfreeks have done a fantastic job in creating, and then sustaining, this event series. Birmingham Rep are to be commended for affording them the space to give credibility and gravitas to a form too often relegated to backstreet pubs and cafes. Level Up runs monthly, starting at 7pm, dates and headliners to be found on the beatfreeks website: http://www.beatfreeks.com/#beatfreeks and listed below.

An interview with Caleb Femi:
http://www.okayafrica.com/news/nigerian-spoken-word-poet-caleb-femi-children-of-the-narm/

One Million Lovely Letters

Lauren Williams opens proceedings

Lauren Williams opens proceedings

Oakley Flanagan invokes the Gods

Oakley Flanagan invokes the Gods

Carl Sealeaf announces the latest tractor production figures

Carl Sealeaf announces the latest tractor production figures

Flora kills hamsters but endures an unprotected heart

Flora kills hamsters but endures an unprotected heart

Tims first kiss

Tims first kiss

Caleb Femi in action

Caleb Femi in action

Lorna Meehan fancies a dance

Lorna Meehan fancies a dance

Trumendous producing a timeless performance.

Trumendous producing a timeless performance.

Where's your Maame? She's here.

Where’s your Maame? She’s here.

Headliner Jodi Ann

Headliner Jodi Ann

Dates And Featured Poets

Thursday 24 September, 7pm
Headline: Jodi Ann Bickley
Emerging: Caleb Femi

Wednesday 7 October, 7pm
Headline: Talia Randall
Emerging: Jay O Poet

Friday 6 November, 7pm
Headline: Andy Craven-Griffiths
Emerging: Jade Richards

Tuesday 15 December, 7pm
Headline: Sabrina Mahfouz
Emerging: Samuel King
Foundry Special

Monday 18 January, 7pm
Headline: Jemima Foxtrot
Emerging: Ronak Patani
Foundry Special

Monday 8 February, 7pm
Headline: Lemn Sissay
Emerging: Rehema Njembe

Workshops

In addition to these events, Prime Poetry will be hosting a series of satellite workshops, bringing poetry to your door. Join them for a free workshop at the following venues.

08/09/2015 – Stirchley
P Café
B30 2NT
5pm-7pm

28/09/2015 – Sutton Coldfield
Clifton Road Youth Centre
B73 6EB
7pm-9pm

19/10/2015 – Erdington
St Barnabas Church
B23 6SY
7pm-9pm

23/11/2015 – Weoley Castle
Weoley Castle Library
B29 5HR
5pm-7pm

11/01/2016 – Aston
The Drum
B6 4UU
6pm-8pm

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Brassed off- Derby Theatre

brassed off
Some question the relevance of modern theatre to the world around it. Those doubters should take a trip along to the Derby Theatre to watch “Brassed Off”, a play about a closing colliery, and its brass band. Derbyshire was a coal mining county as recently as thirty years ago. A full house, and their response, on a Monday night, paid testament to the connection that the audience felt to this play

Key to the success of this production is a live brass band, which was exactly what Director Sarah Brigham gave us in the shape of the Derwent Brass band. The rich plangent tones of brass have an unique quality, rousing, melancholic and nostalgic, and the evening treated us to a mini concert within the play, each number earning deserved extended applause.

The film upon which the stage play is based is amongst the finest observations of British social history in the past half century, and I suspect that most of the audience will have seen it. Pivotal to its success were Pete Postlethwaite as band conductor and leader Danny, and Tara Fitzgerald as Gloria, new band member and management interloper.

Garry Cooper as Danny

Garry Cooper as Danny

For this production Garry Cooper plays Danny, Seren Sandham-Davies plays Gloria. Cooper is superb as Danny. He bears a physical resemblance to Postlethwaite and drives the band, and production with his obsessive commitment to music and the legacy it offers. Only at the end is he riven with doubt as he delivers an oration on the social injustice of the mine closures which produced spontaneous applause and a standing ovation from the audience, virtually unheard of in plays. It was a spine tingling moment.

Sandham-Davies has a tough job, not only does she have to take a principal role, she also needs to play lead parts with a Flugelhorn. I suspect that the criteria for the part thinned out the audition process a little! Fortunately, not only is Seren an accomplished musician, but she also plays Gloria with considerable aplomb, Feisty and articulate, and sexy with it, she charms both the defecting band members and audience. Gloria’s paradox is wanting to belong. She has returned to her hometown, childhood sweetheart and industry which her family worked in at a time when all those things are disappearing as she knew them. That paradox underpins the part and is well portrayed by a fine young actress.

Seen Sandham Davies as Gloria

Seren Sandham Davies as Gloria

The huge advantage of the staged version over celluloid is the emotional impact of a live brass ensemble blowing through the music such as Rodrigo’s Concierto de Aranjuez with skill and brio. Tara Fitzgerald merely had to mime the fiendishly difficult flugelhorn solo in the film – Seren performs live.

In supporting roles, Darren Bancroft (Jim) and Howard Chadwick ( Harry) delight and entertain as comedy double act friends. Chadwick has the physique of a miner who probably didn’t need mechanical tools, whilst Bancroft has the best line of the night as the numbers who might vote for the redundancy package are assessed:” “Nobody ever says they voted Tory either, but somehow the buggers keep getting in.”

Jo Mouseley as Gloria

Jo Mousely as Gloria

Jo Mousely (Sandra) is wonderful as the mother of four trying to keep the family together whilst the bailiffs systematically strip the house. Child actor Joe Mothershaw plays the part of Sandra’s eldest son and narrator with confidence and conviction.

Paul Allen has done an excellent job adapting Mark Herman’s screenplay for the stage, this is no pallid facsimile of the original. Stage designer Ali Allen opts for a largely minimalist kitchen sink set depicting homes and silhouettes of an industrial landscape, but the harrowing suicide scene is graphically set against the pit head wheel and a distraught miner.

Director Sarah Brigham was a stickler for accuracy in her previous Derby Theatre production “Solace of the Road”. That authenticity, and attention to detail is an integral part of this emotional and compelling production which deservedly evoked a standing ovation at the close. “Brassed Off “ runs until Saturday 10th October.

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Noises Off- Sutton Arts Theatre

noises-off-1437945222

Noises Off was written in 1982 play by artistic polymath Michael Frayn, a journalist, philosopher, and novelist as well as playwright. It was inspired in 1970, when Frayn was watching from the wings a performance of his own The Two of Us, “It was funnier from behind than in front, and I thought that one day I must write a farce from behind.” And so the seeds were sown for this brilliant back-to-front farce about a dysfunctional touring company on the last leg of its tour – or simply on its last legs.

Subject to periodic revision by Frayn, the last in 2000, the script is fresh and sharp, exploring his trademark fascination with the battle between the forces of order and disorder, and our search for happiness in our lives. Metaphors dance tantalisingly before our eyes. A tax evader, caught with his trousers round his ankles watches his second home descend into anarchy, while all around seem obsessed with sardines.

Director Emily Armstrong has assembled a very strong cast. Unusually for a farc,e it does not mainly comprise conventional warring couples. It does however have seven doors, a harbinger of things to come. There are doors that stick when they should open, doors that swing open when they ought to be closed, doors viewed from the back, and doors viewed from the front.

Denise Phillips is a delight as housekeeper Dotty, a surreal fusion of Hilda Ogden and Mrs Brown, who is preoccupied with sardines as the world revolves around her. Her paramour Roger, energetically played by Dexter Whitehead ,suffers and explodes, as his older girlfriend finds herself in increasingly preposterous positions, leaving him hopping mad.

Hardworking Emily also stars as Vicki, Roger’s other love interest, the briefness of her costumes being in inverse proportion to her stage impact. As well as the accident-prone cast, the stage management team add to the confusion, putting out front-of-house calls that the performance will commence in one minute, three minutes, two minutes and finally three minutes again prompting the wonderful lament: “there’s a lot of OAP’s out there who haven’t got long to go.”

There’s a satisfying depth to the cast, epitomised by Barrie Atchison as Selsdon Mowbay , the old stager whose secret hoards of whisky keep having to be removed from just about everywhere as he continually breaks in through a window at varying stages of the plot, planned, and unplanned.

The pivotal second act is handled adroitly, with skill, timing and energy, after the slower paced, scene setting, first act. Inventive, funny and incessant, I, along with the rest of the audience, roared with laughter.

Rosemary Richmond and Ann Morris deserve particular praise for some well observed costuming, not least with Alison Daly’s sumptuous over the top print “Brit ex pat in Marbella” dress, John Islip and his team take on the huge task of producing a front of house and back of house set, and win. The only technical downside is that the challenge of turning the entire set round for Act Three without an interval is considerable.

This production was dedicated to long serving Sutton Arts member Davina Barnes, who played the part of Dotty in 1988, and sadly passed away in February of this year. Emily Armstrong, the cast, and the Society did her proud with this fine production which runs till Saturday 12th February.

Gary Longden

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Derby Demo 6 Friday Night, 11th December 2015

The opening night offers a trio of tribute bands whose music still endures and whose legacy has shaped the sounds of other bands for years to come. Take a look at who will be on stage, not listed in order of appearance.

State of Quo date back to 1995, now comprising Rhythm Guitar/Vocals Paul Carr, Lead Guitar/Vocals Ian Hill, Bass Guitar Brian Smith, and Drums Dave Owen, the band gig tirelessly faithfully and lovingly recreating Quo’s “ heads down, no nonsense, mindless boogie” from the early days of “Pictures of Matchstick Men” onwards.

Free at Last

Free at Last

Free at Last were formed in 1982 under the name Uncle Sam. Uncle Sam featured three of the current members, Jak (guitar/vocals), Shane (guitar) and Mick (drums) until Dave joined on bass in 1994.

Uncle Sam’s set contained a few original songs plus covers by such classic acts as ZZ Top, Pat Travers and of course Free. All the guys in the band have always had a great passion for the music of Free, so in 1996 when deciding to create a tribute there was only one choice who it would be.

Since then they have gone from strength to strength headlining at Bill Flynn’s Free Convention and playing many of the top venues around the country, universally agreed to be the best Free and Bad Company tribute around.

With the original Bad Company reforming to promote their Anthology 2cd set, Paul Rodgers releasing solo albums and joining Queen as their singer for a world tour, it only serves to prove sustained interest in what the band are trying to recreate.

Renegades Lizzy

Renegade Lizzy

Renegades Lizzy pay homage to the great Phil Lynnot and his music. In 1969, Irish rock band Thin Lizzy played its first gig in their home city of Dublin. In 1986, after massive success around the globe, their superstar charismatic leader Phil Lynott passed away suddenly. But the band’s music and his legacy lives on – and will do so for ever. Especially while such talented musicians as Keith Buck, Tony Staniforth, Dave Jacobs and Mick Stafford are paying their ultra classy tribute to those timeless songs under the guise of Renegades – The Very Best of Thin Lizzy. Four mega-talented, Midlands-based musicians with one thing in common; an undying love of the timeless and unforgettable music of Irish superstar rock band Thin Lizzy.

The quartet locked themselves away in the rehearsal studios for almost 12 months to nail note for note renditions of the famed twin guitar fronted, legendary band’s evergreen repertoire before they would attempt to play in public. But when they were ready to rock, boy oh boy oh boy did they rock? Now, a few months down the line, the band have a handful of sizzling gigs under their belt and have speedily built up a solid reputation; as THE band to watch if you are a fan of Lizzy’s music. If you can get in, that is!

After their packed to the rafters debut gig at the Lady Jane at Whitwick, on their home turf in Leicestershire, the fearless foursome returned triumphant to that same venue and filled it a second time. Since then they have played “house full” gigs across the Midlands. This summer they will rock a few festivals and further establish themselves as a musical force to be reckoned with.

The guys aptly adopted the name Renegades, based around the Lizzy track Renegade of course, and selected a couple of dozen of Lizzy’s very best songs from their album tracks, hit singles and popular live numbers to kick off their live performances. They have gradually added even more of Lizzy’s songs to their set, and numbers associated with the solo career of the late and great Gary Moore. So you can either stay in at home on the 11th and listen to Live and Dangerous on record, or come down to “The Dog” and hear the real thing!

All this will leave you panting for more, and there is on Saturday night!

Tickets are just £20 per person, per night, available in advance by Electronic Transfer Sort Code 20-15-96 Account Number 33588009 Reference DD6 plus INITIALS + SURNAME Any questions or to pay by cheque, email georgysgigs@msn.com

Derby Demo 6 Saturday Night

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Derby Demo 6 Saturday 12th December 2015

Having savoured the best sounds from Status Quo, Free/Bad Company and Thin Lizzy, Saturday night offers a four course helping of music as follows, not listed in order of appearance.

Rock Buffet

Rock Buffet

Rock Buffet comprise Vocals, Steve “the vicar” Fletcher,Drums, Phil “the ginger prince” Bowdler,Lead Guitars Colin “iron grip” Weightman, Rhythm Guitars, Steve “the hermit” Wylde and Bass, Eddy “the legend” Lush. A rock covers powerhouse band from Derby they were formed in 2009, and play mainly in and around Derby in the pubs and clubs and we play the biggest songs so that the audience know the vast majority of them and can sing and air guitar along, doing it for the love of it and to keep them in strings and sticks!

Legends of AOR singer Jimi Anderson

Legends of AOR singer Jimi Anderson

The Legends of AOR comprise Jimi Anderson – Lead Vocals, Matt Pearce – Guitars & BVs, Julia Krajewska – Keys & BVs, Mel Gabbitas – Bass & Hair, Tony Piper – Drums. They specialise in big American guitar rock with soaring harmonies. The band is the brainchild of Jimi Anderson. Born In Rigside, Lanarkshire, Scotland . Jimi’s first Rock band was in 1978, singing mainly Rush & Deep Purple songs & so his passion for ‘Classic Rock’ had begun.

The next few years brought many hours of practise & to Paul Rogers, David Coverdale & Ronnie James Dio for Inspiration.

He began writing songs and formed the Rock band ‘Sahara’ whilst spending any spare time attending a gazzillion gigs at the Legendary ‘Glasgow Apollo’ till it closed in 1985.

Various incarnations of the band ensued until they were picked up by ‘Wet Wet Wet’s manager Elliott Davis and offered a management contract on the strength of a Demo Tape.

Showcasing his phenominal voice, 5 years of recording demo’s, touring, notable sell out gigs at Glasgow’s King Tut’s, London’s ‘Borderline Club’ and a support to ‘The Wets in front of 30,000 people at Glasgow Green.

Unfortunately line-up changes of the band, mainly guitar players proved their undoing.

Jimi continued writing, performing and recording, appearing on Michael Barrymore’s shows ‘ My Kind of People’ & ‘Barrymore’ in 1997/98 and went on to sing at concerts & festivals in Romania, Turkey and Holland

Living now in York, Jimi has continued writing and has had a spell singing with a local covers band ” Invitro”.

Having spent two years as Lead vocalist with Tribute Band ‘A Foreigners Journey ‘ he toured extensively in the UK and Rhodes. Meeting new friends along the way and his voice has never been better and the next adventure begins.

After recently recording an EP of original songs at FML studios in Scotland with Sandy Jones and Greame Duffin he is looking now for a new challenge and take his own music out to people……….Any great musicians get in touch.

His latest project is a tribute to great American Melodic Rock with some great musicians and friends “Legends of AOR” debut gig was in Spain in front of a crowd of Rhodes Rockers, safe to say it was so emotional that tears were shed.

The Pepper Hearts

The Pepper Hearts

From melodic American rock we then cross back to melodic English pop with The Pepper Hearts who play the best of Beatles, and Beatles era, sounds.

Garry Barrett is on Bass Guitar / Vocals. Garry is a well respected musician and has been on the York music scene for many years now (despite his youthful looks!) He has been involved with numerous bands including: Nerve Senta, Watch with Mother, Overload, and Stone Cold Sober amongst many others. His dedication to music has taken him to many parts of the world, including Greece, Florida in the USA, Holland, Austria and France. Garry is a prolific song-writer and has penned many songs for the various original bands he has played in. Garry is a true pro and continues to gig as often as possible.

Geoff Locker plays Drums / Vocals. Like Garry, Geoff is also a former member of Nerve Senta. Geoff was also a drummer with other bands including Aldo’s Orphans and High n Dry – which featured Garry’s younger brother Gavin on Vocals. Geoff is a dedicated and reliable musician who keeps perfect time holding down a steady and unwavering tempo.

Dave Powell performs on Lead guitar / Ukulele/ Vocals.Dave’s Mum and dad bought him his first guitar from Bulmers (a famous York second hand shop) when he was 11 yrs old ( Dave says “I know that’s a bloody long time ago!”) he still owns it, even though it’s virtually unplayable! Dave is self taught and has owned various guitars over the years some of which Dave says that he wishes that he still had. In 1974 he bought a Fender Stratocaster which he still uses today. Dave started playing in bands when he was still at school and has played in a variety of bands including: Midnight,( later renamed The Envoys ) Spellbound, Airport, One Night Stand, Wavelength and Flaming Pie with former Pepper Hearter Paul Leatham. Mr Powell has played many clubs over the years and supported acts like Roy “Chubby” Brown, Dougy Brown, Stan Richards, Paper Lace, Nookie Bear and too many more to mention!

Mark Payne plays Keyboards and percussion.Mark studied the piano from aged 8 which led to a BA music. He has toured both the UK and Europe with Guys and Dolls and Ricky Valance. Now living in Selby Mark divides his time between playing and sound engineering. Mark adds both keyboards and percussion to the band and has helped to expand the range of The Beatles, Wings and sixties songs that the band play at their live gigs.

A fine, good time live band, they are sure to entertain and evoke the oldest of memories.

Aynt Skynyrd

Aynt Skynyrd

To close the night Aynt Skynyrd will take the stage. Aynt Skynyrd are committed to paying tribute to that legendary rock band Lynyrd Skynyrd. For eight years, they have played the length and breadth of Britain to passionate fans of this music paying the ultimate respect to a band that defined a whole music genre and generation and epitomise the best in Confederacy Rock. Aynt Skynyrd have a passion for recreating the songs of the greatest Southern rock ‘n roll band the world has ever seen – and their philosophy is simple… Don’t play it, FEEL it !
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The band comprises:Mike Sawyer – Lead Vocals,John Crosby – Lead Guitar,Nick West – Guitar,Tony Batchelor – Drummer,Angela & Emma Hartley – Vocals,Dave Barker – Keyboard

Lynyrd Skynyrd were never about making hit records, although they seemed to be very good at it! That’s because they played honest southern rock which your average Joe could relate to. There was no pretence in the message or the music. I was fortunate enough to see the band in their heyday,pre Street Survivors from the third row at the Rainbow Theatre in London, a night seared in my gig going consciousness forever, e are fortunate that Aynt Skynyrd keep the music alive.

As per Friday, Gary RokJok LLewis will be compering and djing between for what promises to be a fabulous night, for tickets at £20 per person per night . Electronic Transfer Sort Code 20-15-96 Account Number 33588009 Reference DD6 plus INITIALS + SURNAME Any questions or to pay by cheque, email georgysgigs@msn.com for details.

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Derby Demo 6 – Dec Fri 11th/Sat 12th 2015 ,7.30pm start

Derby Demo 6 promoter Goldie Rox

Derby Demo 6 promoter Goldie Rox


For the sixth consecutive year midlands rock promoter Goldie Rox is holding the Derby Demo over two nights at the Hairy Dog , 1 Becket St, Derby DE1 1HT.

Offering seven bands over the two evenings, tickets are just £20 per person, per night, for some of the best tribute and original rock you are likely to hear live on stage.

Friday the 11th December boasts State of Quo, Renegades Lizzy, and Free at Last. Saturday 12th offers Rock Buffet, The Pepper Hearts, Aynt Skynyrd, and legends of AOR. Both nights are compered by DJ Gary RokJok Lewis.

Tickets are available in advance by Electronic Transfer Sort Code 20-15-96 Account Number 33588009 Reference DD6 plus INITIALS + SURNAME Any questions or to pay by cheque, email georgysgigs@msn.com .

The Hairy Dog is Derby’s premier live music pub regularly hosting household names and is ideal for enjoying rock. Located in the city centre a range of accommodation is within easy reach including the International Hotel 288 Burton Rd, Derby,DE23 6AD and East Midlands Guesthouse, 100A Douglas Street, Derby, DE23 8LJ.

Goldie is a veteran of the midlands rock circuit and regularly travels as a fan to the likes of Legends of Rock , Rhodes Rock, and RR Espana.

She commented; “ As both a promoter, and fan, I know what makes for a good rock event. A good venue and good music are a given, and I think I have delivered that with what promises to be the biggest and best Derby Demo yet. But more than that is required, bands with personality and showmanship are needed. Musicians committed not just to playing music, but to involving the fans in the event and creating a party atmosphere for all to enjoy.”

“ I watch around a hundred bands a year and take great pride in handpicking those bands who I think can deliver the best time to my loyal audience. If you have been before, you will know that booking tickets in advance is the best way to ensure entry, if you haven’t been before, book now and find out what you have been missing!”

Friday night is a must for rock devotees. State of Quo will ensure that there is plenty of boogie. Renegades Lizzy will serve up the best of Thin Lizzy untamed. Free at Last cover not only the best of that immortal Rodgers/Kossoff pairing, but also Rodger’s time at Bad Company.

Think you will have had enough? Well Goldie doesn’t! On Saturday, local Derbyshire covers band Rock Buffet ,fronted by Steve “the vicar” Fletcher will be dishing up some classic rock, followed by The Legends of AOR, a tribute to the glory days of American melodic rock music, big guitars, soaring keyboards & huge harmonies. The Pepper Hearts play the best of sixties Beatles and era faves, the evening closes with Aynt Skynyrd, faithfully recreating the sounds of the greatest southern rock band ever to come out of the Confederacy. They might even finish with “Freebird” if they are asked nicely!

For more details on the bands click on:
Friday Night Derby Demo 6
Saturday Night Derby Demo 6

The Hairy Dog, Beckett St, Derby

The Hairy Dog, Beckett St, Derby

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The Bodyguard- Birmingham Hippodrome

body
I came to this show neutral, but curious. Whitney Houston, upon whose music, the show depends, has always been an enigma for me. A fine singer for sure, but neither she, nor her music, ever touched me. She entertained, but never won me over. Nevertheless her music has sold millions of records so familiarity, if not love, was never going to be a problem.
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The star of the show is X Factor reality show winner Alexandra Burke. A criticism of the format is that it launches careers of singers vocally up to professional standard without offering the building blocks of experience which helps that vocal talent to be realised. A two and a half hour musical show provides nowhere to hide.
body 1

The advance word of mouth for the show was strong, the London run impressive, ticket sales frenetic, and a full first Friday night house was crackling with expectation as the cast exploded into the first number “Queen of the Night”, and from that moment on, the show never looked back. The film narrative has been simplified, the soundtrack beefed up with more of Whitney’s back catalogue, the staging is lavish and innovative.

No-one will have any problem following the plot. Rachel Marron (Alexandra Burke), international single parent superstar is threatened by a stalker, Frank Farmer (Stuart Reid)is the bodyguard hired to protect her. They fall in love, they part, he saves her life, and… she will always love him…

Burke is tremendous, nearly always on stage, and boasting a quantum of costume changes which will leave Diana Ross green with envy. Indeed there are so many that at one point she simply changes on stage, her modesty protected by little more than dim lighting. All the big numbers are here, One Moment in Time, I’m Every Woman, I Want to Dance With Somebody, So Emotional, All The Man That I Need, The Greatest Love of All How Will I Know and of course I Will Always Love You.

Melissa James plays Rachel’s sister Nikki ,and sets a formidable standard for Burke with her reading of Saving All My Love For You before duetting with her on Run to You. Reid reprises Pierce Brosnan’s comedy vocal performance in Mama Mia with a hugely amusing and comic pastiche of “I Will Always Love You”.

Although ticket prices are high, so are production values. Designs are by the award-winning Tim Hatley (Betty Blue Eyes, Private Lives, Spamalot) alongside choreography by Arthur Pita (English National Opera, Royal Opera House, Young Vic), orchestrations by Chris Egan (Crazy For You, End Of The Rainbow, Grease), musical supervision by Mike Dixon (Never Forget, We Will Rock You), lighting by Mark Henderson (Chitty Chitty Bang Bang, The Sound of Music, West Side Story), sound by Richard Brooker (Chess, A Christmas Carol, Jesus Christ Superstar) and video designs by Duncan McLean (Shrek, Evita, All New People).

The finale is glitzy, over the top and pure schmaltzy showbiz, big dress, elevating rostrum, sound cranked up to ten – you will never guess what she finishes with! British theatre audiences are rightly sparing with standing ovations, but when the raucous audience rose as one for the final number it was because the entire cast had earned it, and were rewarded with a sing-along, dance-along, encore.

A fabulous show packed with great songs, no little humour and immense energy and commitment from Burke, this is simply the best jukebox musical around and runs till 5th September, do whatever you have to do to catch it!

Gary Longden

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