John Wilson’s London Sinfonia- Symphony hall, Birmingham

*****

Often described as a ‘super-orchestra’ , it brings together outstanding musicians from the UK and abroad, including principals and leaders from other orchestras, notable soloists and members of distinguished chamber groups.

‘Sinfonia of London sets the gold standard – an orchestra of generals that takes the unfashionable, the obscure, the overlooked, and makes it unmissable.’ (The Sunday Times)

The orchestra comes together for special projects throughout the year, including concerts and recordings, to create exceptional musical experiences.

  1. Set 1:
  2. Oklahoma! Main Title
  3. Oh! What A Beautful Morning
  4. People Will Say We’re In Love
  5. The Lady Is A Tramp
  6. Why Can’t I?
  7. Falling In Love With Love
  8. The King And I Overture
  9. If I Loved You
  10. The Most Beautiful Girl in the World
  11. To Keep My Love Alive
  12. Slaughter On 10th Avenue
  13. Set 2:
  14. South Pacific Overture
  15. Younger Than Springtime
  16. I’m Gonna Wash That Man Right Out Of My Hair
  17. Little Girl Blue
  18. The Sound Of Music
  19. I Have Confidence
  20. Twin Soliloquies
  21. Some Enchanted Evening
  22. You’ll Never Walk Alone
  23. Encore:
  24. June Is Bustin’ Out All Over

John Wilson and Sinfonia of London performing Rodgers and Hammerstein’s greatest hits at one of the finest Symphomy hall in the world promised to be a musical extravaganza and delivered.

From the opening overture the lush sonic sound bathed us in is magnificence before the special guest soloists Louise Dearman, Nathaniel Hackmann & Scarlett Strallen arrive to work their magic


The concert included music from “South Pacific,” “The Sound of Music,” “Oklahoma!,” “Carousel,” and “The King and I.” The performance showcased a number of popular songs like “Lady and the Tramp”

Louise Dearman was terrific in the comic standard- to keep my love alive

Scarlet Strallen mdd Julie Andrews a distant memory with her take on Sound of Music

There was barely a dry eye in the house for Nathaniel Hackmann’s emotional “You’ll Never walk Alone”

Wilson’s decision to resurrect , reappraise and rearrange and represent Rodgers and Hammerstein’s back catalogue was fully vindicated , my only gripe was that the first half was a full hour, while the second half struggled to surpass the forty minute mark- we wanted more!

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